Gabe Bullard | Is On The Internet
How I Learned To Stop Worrying And Love The Mop
Mothersbaugh and Casale say the result of their work for Disney and Swiffer is so commercial and so bizarre that it embodies the DEVO aesthetic just as much (or possibly more than) their earlier output.
Postmodern Mumbling
Mothersbaugh and Casale say the result of their work for Disney and Swiffer is so commercial and so bizarre that it embodies the DEVO aesthetic just as much (or possibly more than) their earlier output.
Why Bother (With The VMAs)?
Mothersbaugh and Casale say the result of their work for Disney and Swiffer is so commercial and so bizarre that it embodies the DEVO aesthetic just as much (or possibly more than) their earlier output.
April’s 8
Mothersbaugh and Casale say the result of their work for Disney and Swiffer is so commercial and so bizarre that it embodies the DEVO aesthetic just as much (or possibly more than) their earlier output.
Obligatory Post-Christmas Post
Mothersbaugh and Casale say the result of their work for Disney and Swiffer is so commercial and so bizarre that it embodies the DEVO aesthetic just as much (or possibly more than) their earlier output.